Pocketknife - Feels

Here is a video filmed with fellow BML teachers Colin Killalea and Robby Sinclair. It was conceived and wonderfully shot and edited by my brother, Travis Brooks. The music was written by Colin Killalea and performed by Pocketknife.



John Beaty's Guide to Saxophone Practice - Part 1a

The most important tool in getting better on any instrument is a good practice schedule. This multi-part article covers the 4 areas that I find to be most important when practicing saxophone:

1. SOUND PRODUCTION
2. FINGER COORDINATION
3. ARTICULATION
4. STYLISTIC APPROACH

Depending on the time I have available to practice, I split these four areas up over as little as 30 minutes or as much as 12 hours. It is important to note that these exercises can be applied to all levels of saxophone ability!

AREA 1 - SOUND PRODUCTION

Part 1a - Embouchure and Long Tones

Sound is the most important area of saxophone. If you have a good sound and can only play three notes, at least people will still want to hear those three notes. As a basic starter to making a sound on the saxophone it is important to point out that the bottom lip covers the bottom teeth and the reed sits on top of the bottom lip. The upper lip does not cover the upper teeth and the teeth directly touch the top of the mouthpiece. The top of the tongue should be touching your top teeth in the back, while the mouthpiece enters your mouth at an angle. Try to place the air into the top of the mouthpiece, do not blow directly into the mouthpiece. After you have made a few sounds it is time to get used to producing the sound.

Saxophonists often talk about "long tones". It isn't a big secret, you just play one note for an extended period of time. Place your favorite metronome at 60 BPM and start with G. (If you are advanced start with the lowest Bb and go to the high F chromatically). To practice the long tone start playing soft and crescendo (get louder) over 4 beats, for the next 4 beats decrescendo (get softer). That is a total of 8 beats. Then add a beat to each side, meaning 5 beats while you crescendo, and 5 beats while you decrescendo for a total of 10 beats. I recommend going at the very least 8 beats on both sides, 16 all together. If you feel you need and can take more go for it.

Video example of part 1a:

Be on the lookout for Part 1b and c next week!



Tutorial: Turn a lightsaber into a synth with Wiretap Studio and Live

How do you create an original synth sound in 2009?

Most people are familiar with the concept of sampling, but we tend to think of the process as grabbing whole sections and dropping them into our songs, like taking a beat from a 70's soul track and rapping over it. While this is a useful approach, things start to get more interesting when we break the sample down into smaller pieces.

Instead of swiping a melody whole from a track, we can grab one note of it, map the sound to our keyboard and play something entirely different with it. Or we could go ever farther.

Sampling a video

Watch one of your favorite movies sometime and pay attention to the sound. You'll catch all sorts of interesting moments that would sound great removed from their context: a character laughs, a spaceship lands, a trumpet wobbles lazily in the background, etc.

Using the same rationale as sampling a drum beat or a vocal melody, we can grab a movie sound with all of its noisy film grain and strange imperfections and make something musical with it.

For instance, let's take a film we all have some affection for: Star Wars. I'm going to sample a scene around the one-hour mark where Luke is practicing his lightsaber technique. On my Mac, I have DVD Player and Wiretap Studio both open. NOTE: You don't need Wiretap Studio for this tutorial. Anything that will let you record system audio will work!

1. First, I select "DVD Player" as the sound input in Wiretap's Controller window. Then I hit record, go back to the DVD Player and play the scene I want to sample. When I'm finished, I hit the stop button on Wiretap's Controller.

2. Since I've told Wiretap to stop recording, it presents the finished waveform in a new window. Here's what the full, unedited sample sounds like (download):

NOTE: if you have Wiretap Studio, or any other wave editor, feel free to download the clip and follow along from here.

I'm trying to sample only the lightsaber noise, so let's isolate it. If we listen to our recording while looking at the waveform, we can see around the 7-second mark that no one is talking, nothing else is happening except for the buzz of the lightsaber. That's what we want, so let's grab it.

Highlight the part of the waveform you want with your cursor and hit spacebar to hear it.

Now hit the Crop button (the hash mark-looking symbol to the left of the flag at the bottom of the window) to isolate the sample.

Now, hit Cmd-S to save your changes and open the Library window, which can be found under "Windows" in the menu bar.

3. Let's rename the file from "DVD Player_recording" to something more useful, like "lightsaber sample." Single-click the file name, and a text box should appear that will let you type a new name.

Now we'll export the file so we can work with it in our usual music-making software. Click on the hard drive icon at the bottom of the Library window that says "Local," and save the WAV file to your desktop.

Here's my exact crop of the sound, so you can drop it into Live if you'd like (download):

 

 

NOTE: You can change the audio file format under "Format" when you first open up the sample.

4. Now the fun part. Open up Ableton Live so we can get started making our lightsaber synth.

In the Live Devices section of Live, create a new sampler instrument by double-clicking "Simpler" in the Instruments folder.

The Simpler device says "Drop Sample Here," so we'll grab the audio file from the desktop and drop it in.

5. With the Simpler track armed to record, hit a key on your MIDI keyboard or your computer keyboard. Nice, right?

The sample was recorded a little on the quiet side, so the first thing we'll do is raise the volume on the right side of the window. 12 db seems to be a good level to work with. When you play the newly created sound, a key press triggers a one-shot sample. We're trying to create a synth sound, so we want the sample to play continuously as long as we have the key held down. The best way to do this is to put Simpler into Loop mode.

Push the "Loop" button next to the Fade knob, and hold down the key again. Now the sound plays continuously, but it sounds like a looped sample and not a single note. So we'll make some more adjustments.

Hit the "Snap" button to make Simpler snap to zero-crossings, which helps to prevent clicks and pops in our sound. Turn the "Length" knob back to 96%, and the "Loop" knob to around 87%. This selects an area of the sample which works well as a loop, and the weird fluctuations in the lightsaber sound like a continuous drone instead of choppy noise.

6. Now we can put the finishing touches on the sound to make it a usable synth and not just a curiosity.

Let's get rid of some of those high-frequency noises with a low-pass filter. I have the filter set to cut off around 549 Hz and gave it a resonance value of .55. I also rounded off the attack and upped the release to 1.18 seconds. Give it a little bit of portamento in the bottom-right corner..

and you have a usable, original synth sound to work with. Here's an example of a track I made using only this sample and some beats (download):

 

Now, go apply this technique to twist anything you hear and use it in your music. There are no limits to this stuff.



Best $35 instrument EVER!

Is it a harmonica? Is it an accordion? No, it's a Melodica!

Last week I finally bought a Melodica. It was something I had been meaning to do for a LONG TIME. It's such a great instrument. It needs NO ELECTRICITY, only air from your lungs. Therefore it has this built-in meditative thing that only wind players and singers get that someone like me -- a guitarist and a knob-twiddler -- just never gets a chance to experience. You have to breathe WITH your music. A novel idea!

This instrument has shown up on so many different recordings.
Just look at the Wikipedia page for Melodica!

If you want to buy one - or two like I did (one for a friend) use this link:

Hohner Student MelodicaHohner S32 Student 32 Melodica

Here's a little video of me using the Melodica to practice the synth part to 'Model Party' by Corbu.


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